ARTS

The exhibit “Busing the Buffer Zone” uses art and theater to explore the experience of Chinatown mothers who boycotted busing of students in Boston Public Schools in 1975. The exhibition, which includes a play by Christina R. Chan and an exhibition at the Pao Arts Center, runs through March 28. The stage readings are slated for March 28 from 2 p.m. to 7 p.m. at Pao Arts Center. An open rehearsal is March 20.

T hrough the smoke and gasoline of the literal fires that raged through cities like Washington, DC, and Atlanta as a result of the civil unrest in the wake of George Floyd’s May 25th 2020 murder at the literal knee of state-sanctioned legal justice, and through the similar apocalyptic scenes that have hit Minneapolis (in 2020 and 2026) and Los Angeles in the midst of an occupation by federal agents, we hear voices and see faces. The revolution is being televised. Truth is out

Daniel Rachel’s remarkable This Ain’t Rock and Roll: Pop Music, the Swastika, and the Third Reich shows that from the brutal brilliance of Leni Reifenstahl’s “Triumph of the Will” to the ghoulish strutting of Marilyn Manson’s “The Golden Age of Grotesque,” the fashion horrors of Hitler’s Third Reich have never fully gone away. And in a time when many are drawing comparisons between mass immigration raids and the Nazis, the book seems more relevant than ever. Rachel clarifies

Daphne Xu’s new project “Boston Busing in Chinatown, 1975,” a photographic installation, just opened early this month along the Greenway, near the Chinatown Gate.

he permanent exhibit, “Reclaiming History — A Journey Through Three Neighborhoods,” will officially open at the Josiah Quincy Upper School on April 27.

The Magic of Tết is one of the 10 works Windy Pham has published in her series of bilingual children books, aiming to celebrate Vietnamese heritage through highlighting the culture and language.