Christopher John Stephens

T hrough the smoke and gasoline of the literal fires that raged through cities like Washington, DC, and Atlanta as a result of the civil unrest in the wake of George Floyd’s May 25th 2020 murder at the literal knee of state-sanctioned legal justice, and through the similar apocalyptic scenes that have hit Minneapolis (in 2020 and 2026) and Los Angeles in the midst of an occupation by federal agents, we hear voices and see faces. The revolution is being televised. Truth is out there, hiding in...

Daniel Rachel’s remarkable This Ain’t Rock and Roll: Pop Music, the Swastika, and the Third Reich shows that from the brutal brilliance of Leni Reifenstahl’s “Triumph of the Will” to the ghoulish strutting of Marilyn Manson’s “The Golden Age of Grotesque,” the fashion horrors of Hitler’s Third Reich have never fully gone away. And in a time when many are drawing comparisons between mass immigration raids and the Nazis, the book seems more relevant than ever. Rachel clarifies himself from the...

Playwright Stan Lai talks with Sampan.