ALL NEWS

Interview with Julie Masis, author of "How My Grandfather Stole a Shoe and Survived the Holocaust in Ukraine."

As we begin the new year, Sampan will run an occasional series of pieces reflecting on literature that has influenced who we were, who we are now, and who we might become as Americans. On July 4, we will celebrate the 250th anniversary of America’s founding. For the purposes of this series, the notion of “literature” include foundational political texts, those that established who we would be as a nation, and those that serve to challenge what we have become.

Hamilton, presented by Broadway in Boston recently at Citizens Opera House, brought the full vigor and verve that has made playwright Lin Manuel-Miranda’s hit musical so beloved over the last decade. Meticulously researched and rooted in Ron Chernow’s biography of Founding Father Alexander Hamilton, the musical Hamilton brings to life the rise of this flawed, accomplished figure with an iconic musical score blending hip-hop, jazz, R&B, and Broadway.

The Voice of Hind Rajab is based on the true story of Hind, the five-year-old trapped for hours in a car in Gaza. She is there, next to her relatives who had just been killed by Israeli gunfire. She begs to be rescued, using her cousin’s cell phone to call for help.

The world premiere of the musical “Wonder” is a compelling, family-friendly production that tells the story of Auggie, a boy with a facial difference

Tufts Medical Center in Boston has opened an expanded Pediatric Asian clinic that it says will better serve thousands of Asian children and families in the area.

After 40 years in operation, the Chinese Culture Connection (CCC) of Malden has recently moved to a new location to better serve the community.

When funding for SNAP food and nutrition help for poor and struggling families was in jeopardy, community groups came together to help.

Anita Yip, a former Josiah Quincy School student, returns and visits as an adult.

Sampan talks with ‘Pip’ Lewis, the architect behind the award-winning Josiah Quincy Upper School

In her new documentary, “Removed: Black Erasure in Boston,” local filmmaker and podcaster Sabrina Salvati — better known as Sabby Sabs — takes viewers through the displacement of Blacks in the city.

Fun Home is a beautiful queer memoir-musical about investigating one’s past and wrestling with the maddening slipperiness of memory. Based on Alison Bechdel’s award-winning graphic memoir, the story follows Alison’s childhood, coming of age, and coming out story as a butch lesbian, as well as her attempts to understand her closeted gay father.

A sweeping report by the Asian American Legal Defense and Education Fund explores three “swiftly changing” Chinatowns in the Northeast: in Boston, Manhattan, and Philadelphia.

Renee Inomata, a Boston-area attorney, who was highly active ­— oftentimes behind the scenes — in the civil rights and Asian American initiatives, died on Dec. 1.

We believe bigoted and hateful attacks on Somali immigrants, refugees and citizens are harmful to all of society, but especially the most vulnerable, families and children. And we should all stand up against this hate.

Trish Fontanilla tells the Sampan about BOSFilipinos and Filipino identity.

For Filipino American History month in October, Sampan, in collaboration with the University of Massachusetts-Boston’s Filipino Cultural Club, Hoy! Pinoy!, hosted a live panel of three Filipino American immigrants.

Sept.18 was an exceptionally joyful day for a quiet stretch of Hudson Street in the heart of residential Chinatown. Joined by mayor Michelle Wu and the Asian Community Development Corporation (ACDC), city officials and community partners put their shovels down at the parking lot on Parcel R1, which will soon become home to 110 affordable housing units, and more importantly, Boston Public Library’s permanent Chinatown branch.

T he notion of a doppelgänger in literature has been used for centuries, with varying degrees of success. Think of the ghost of Hamlet’s father, materializing to haunt the tortured Denmark Prince about crimes transpired and crimes yet to be. Consider Edgar Allan Poe’s William Wilson, in which the double trails our hapless character through his life. There is a doppelgänger in Twain’s Connecticut Yankee in King Arthur’s Court, Dostoyevsky’s The Double, Patricia Highsmith’s The

S ardines is a comedy show about death. A 60-minute one-man show, comedian Chris Grace presents a compelling autobiographical monologue about life and death. He shares his personal experiences with grief, deftly swerving from high-energy moments to vulnerably, sharing about losing family members, as well as his husband and Sardines director Eric Michaud’s cancer experience. These well-executed emotional fluctuations included Grace orchestrating an audience a cappella renditi